Multiple Tone Generator: Play Multi-Frequency Sounds Online
Generate and play multiple frequencies simultaneously. Free online multi-tone generator for testing harmonics, beating frequencies, chords, and speaker response.
Free Online Multiple Tone Generator
Our multi-tone generator lets you play multiple frequencies at the same time—perfect for exploring harmonics, testing speaker response, creating chords, and hearing acoustic interference patterns.
Multiple Tone Generator
Play multiple frequencies simultaneously. Great for testing harmonics, interference patterns, and speaker response.
Tip: Use two frequencies close together (e.g., 440 Hz and 442 Hz) to hear "beating" interference. The beat frequency equals the difference between the two tones.
How to Use This Tool
- Add Tones: Click "Add Tone" to create additional oscillators (up to 8 simultaneous tones)
- Set Frequencies: Enter any frequency between 20 Hz and 20,000 Hz for each tone
- Choose Waveforms: Select sine, square, sawtooth, or triangle waves
- Adjust Volume/Pan: Control individual volume and left/right stereo positioning
- Toggle On/Off: Enable or disable individual tones, or use "Play All" / "Stop All"
Tip
Start Simple: Begin with one or two tones to understand the sound, then add more to build complex combinations.
Why Use Multiple Tones?
1. Explore Harmonic Relationships
Musical intervals are defined by frequency ratios:
| Interval | Ratio | Example Frequencies |
|---|---|---|
| Octave | 2:1 | 220 Hz + 440 Hz |
| Perfect Fifth | 3:2 | 220 Hz + 330 Hz |
| Perfect Fourth | 4:3 | 220 Hz + 293.33 Hz |
| Major Third | 5:4 | 220 Hz + 275 Hz |
When you play these ratios, you hear consonant (pleasing) sounds. Try them!
2. Hear Beating Frequencies
When two frequencies are very close together, they create a "beating" effect—the volume oscillates at the difference frequency.
Try this:
- Tone 1: 440 Hz
- Tone 2: 442 Hz
- Result: You hear a 2 Hz "wah-wah" pulsing
This is called acoustic beating and it's how musicians tune by ear. When the beating slows to zero, the pitches are matched.
3. Test Speaker/Headphone Response
Play multiple frequencies across the spectrum to identify:
- Dead spots: Frequencies where your speakers don't respond well
- Resonances: Frequencies where your room or speakers boost the sound
- Crossover issues: Where your subwoofer and main speakers overlap
4. Create Chords and Tone Clusters
Build any chord by combining the right frequencies:
| Chord | Notes | Frequencies (A root) |
|---|---|---|
| A Major | A-C#-E | 220 - 277.18 - 329.63 Hz |
| A Minor | A-C-E | 220 - 261.63 - 329.63 Hz |
| A7 | A-C#-E-G | 220 - 277.18 - 329.63 - 392 Hz |
Understanding Waveforms
Each waveform has a different harmonic content:
| Waveform | Harmonics | Sound Character | Use Case |
|---|---|---|---|
| Sine | Fundamental only | Pure, clean, simple | Tuning, testing, pure tones |
| Square | Odd harmonics (1, 3, 5...) | Hollow, woody, buzzy | Retro synths, testing |
| Sawtooth | All harmonics | Bright, brassy, rich | Lead synths, full spectrum test |
| Triangle | Weak odd harmonics | Soft, flute-like | Mellow tones |
Info
Why Sine for Testing? Sine waves contain only the fundamental frequency with no overtones, making them ideal for pinpointing specific frequencies in speaker tests or hearing evaluations.
Acoustic Phenomena to Explore
Constructive and Destructive Interference
When two sound waves meet:
- Same phase (peaks align): Waves add together → louder sound
- Opposite phase (peak meets trough): Waves cancel → quieter sound
Try playing two tones at the same frequency and adjusting pan:
- Both centered → loudest
- One left, one right → normal stereo
- Headphones reveal phase effects more clearly
Combination Tones
When you play two loud tones together, your ear/brain can perceive additional "phantom" tones:
- Difference tone: f1 - f2 (e.g., 440 Hz + 550 Hz → 110 Hz phantom)
- Summation tone: f1 + f2 (harder to hear)
These are called Tartini tones after the violinist who documented them.
The Octave Illusion
Play one frequency and its octave (double the frequency):
- 220 Hz + 440 Hz → Sound "fuses" into a richer single tone
- The higher octave reinforces the lower fundamental
This is why orchestras sound rich—all instruments playing the same note are at different octaves!
Practical Applications
For Musicians
- Chord Theory: Hear the exact frequencies that make up intervals and chords
- Intonation Training: Learn to recognize when notes are sharp or flat
- Tuning Reference: Use multiple pure tones as drone references
For Audio Engineers
- Speaker Testing: Sweep through frequencies to find response problems
- Room Acoustics: Identify standing waves and null points
- Phase Testing: Check left/right channel alignment
For Students & Teachers
- Physics Demonstrations: Visualize (and hear) wave interference
- Music Theory: Teach consonance, dissonance, and the harmonic series
- Hearing Education: Demonstrate frequency perception
The Harmonic Series
Every musical note contains a fundamental frequency plus overtones:
| Harmonic | Multiple | Note (if A2 = 110 Hz) | Frequency |
|---|---|---|---|
| 1st (Fundamental) | 1× | A2 | 110 Hz |
| 2nd | 2× | A3 | 220 Hz |
| 3rd | 3× | E4 | 330 Hz |
| 4th | 4× | A4 | 440 Hz |
| 5th | 5× | C#5 | 550 Hz |
| 6th | 6× | E5 | 660 Hz |
Try playing these frequencies together—this is how a natural brass instrument creates its timbre!
FAQ
How many tones can I play at once?
Our generator supports up to 8 simultaneous tones. This is limited to prevent browser performance issues and audio clipping.
Why does it sound harsh with many tones?
Adding multiple frequencies increases total volume. Use the Master Volume control to reduce overall level, and consider lowering individual tone volumes.
What's the difference between this and a chord on a piano?
A piano note contains the fundamental plus natural harmonics from the vibrating string. Our generator plays pure sine waves by default (single frequency each). Use sawtooth for a closer approximation to real instrument timbre.
Can I save my tone combinations?
Currently, presets are built-in. Use the "Presets" buttons to quickly load common combinations. You can note down your custom frequencies to recreate them later.
Why do some frequency combinations sound good and others don't?
Consonant (pleasant) combinations have simple frequency ratios (2:1, 3:2, 4:3). Dissonant (tense) combinations have complex ratios. This is the foundation of music theory!
Is this the same as binaural beats?
No. Binaural beats require headphones and play slightly different frequencies in each ear—the "beat" is perceived in your brain. Our multi-tone generator plays all frequencies through both channels (or with pan control), so you hear actual acoustic interference.
Related Tools
- Binaural Beats Generator – Create brainwave entrainment tones
- Tone Generator – Simple single-frequency generator
- Frequency Chart – See note frequencies for all instruments
- Piano Frequencies – Every note on the piano keyboard
- Shepard Tone – The infinite rising/falling pitch illusion
- Circle of Fifths – Explore harmonic relationships visually