Multiple Tone Generator: Play Multi-Frequency Sounds Online

Multiple Tone Generator: Play Multi-Frequency Sounds Online

Generate and play multiple frequencies simultaneously. Free online multi-tone generator for testing harmonics, beating frequencies, chords, and speaker response.

Free Online Multiple Tone Generator

Our multi-tone generator lets you play multiple frequencies at the same time—perfect for exploring harmonics, testing speaker response, creating chords, and hearing acoustic interference patterns.

Multiple Tone Generator

Play multiple frequencies simultaneously. Great for testing harmonics, interference patterns, and speaker response.

Quick Presets
Master:50%
Tone 1
Waveform
Volume: 30%
Pan: C
LR
Tone 2
Waveform
Volume: 30%
Pan: C
LR
Tone 3
Waveform
Volume: 30%
Pan: C
LR

Tip: Use two frequencies close together (e.g., 440 Hz and 442 Hz) to hear "beating" interference. The beat frequency equals the difference between the two tones.

How to Use This Tool

  1. Add Tones: Click "Add Tone" to create additional oscillators (up to 8 simultaneous tones)
  2. Set Frequencies: Enter any frequency between 20 Hz and 20,000 Hz for each tone
  3. Choose Waveforms: Select sine, square, sawtooth, or triangle waves
  4. Adjust Volume/Pan: Control individual volume and left/right stereo positioning
  5. Toggle On/Off: Enable or disable individual tones, or use "Play All" / "Stop All"

Tip

Start Simple: Begin with one or two tones to understand the sound, then add more to build complex combinations.

Why Use Multiple Tones?

1. Explore Harmonic Relationships

Musical intervals are defined by frequency ratios:

IntervalRatioExample Frequencies
Octave2:1220 Hz + 440 Hz
Perfect Fifth3:2220 Hz + 330 Hz
Perfect Fourth4:3220 Hz + 293.33 Hz
Major Third5:4220 Hz + 275 Hz

When you play these ratios, you hear consonant (pleasing) sounds. Try them!

2. Hear Beating Frequencies

When two frequencies are very close together, they create a "beating" effect—the volume oscillates at the difference frequency.

Try this:

  • Tone 1: 440 Hz
  • Tone 2: 442 Hz
  • Result: You hear a 2 Hz "wah-wah" pulsing

This is called acoustic beating and it's how musicians tune by ear. When the beating slows to zero, the pitches are matched.

3. Test Speaker/Headphone Response

Play multiple frequencies across the spectrum to identify:

  • Dead spots: Frequencies where your speakers don't respond well
  • Resonances: Frequencies where your room or speakers boost the sound
  • Crossover issues: Where your subwoofer and main speakers overlap

4. Create Chords and Tone Clusters

Build any chord by combining the right frequencies:

ChordNotesFrequencies (A root)
A MajorA-C#-E220 - 277.18 - 329.63 Hz
A MinorA-C-E220 - 261.63 - 329.63 Hz
A7A-C#-E-G220 - 277.18 - 329.63 - 392 Hz

Understanding Waveforms

Each waveform has a different harmonic content:

WaveformHarmonicsSound CharacterUse Case
SineFundamental onlyPure, clean, simpleTuning, testing, pure tones
SquareOdd harmonics (1, 3, 5...)Hollow, woody, buzzyRetro synths, testing
SawtoothAll harmonicsBright, brassy, richLead synths, full spectrum test
TriangleWeak odd harmonicsSoft, flute-likeMellow tones

Info

Why Sine for Testing? Sine waves contain only the fundamental frequency with no overtones, making them ideal for pinpointing specific frequencies in speaker tests or hearing evaluations.

Acoustic Phenomena to Explore

Constructive and Destructive Interference

When two sound waves meet:

  • Same phase (peaks align): Waves add together → louder sound
  • Opposite phase (peak meets trough): Waves cancel → quieter sound

Try playing two tones at the same frequency and adjusting pan:

  • Both centered → loudest
  • One left, one right → normal stereo
  • Headphones reveal phase effects more clearly

Combination Tones

When you play two loud tones together, your ear/brain can perceive additional "phantom" tones:

  • Difference tone: f1 - f2 (e.g., 440 Hz + 550 Hz → 110 Hz phantom)
  • Summation tone: f1 + f2 (harder to hear)

These are called Tartini tones after the violinist who documented them.

The Octave Illusion

Play one frequency and its octave (double the frequency):

  • 220 Hz + 440 Hz → Sound "fuses" into a richer single tone
  • The higher octave reinforces the lower fundamental

This is why orchestras sound rich—all instruments playing the same note are at different octaves!

Practical Applications

For Musicians

  • Chord Theory: Hear the exact frequencies that make up intervals and chords
  • Intonation Training: Learn to recognize when notes are sharp or flat
  • Tuning Reference: Use multiple pure tones as drone references

For Audio Engineers

  • Speaker Testing: Sweep through frequencies to find response problems
  • Room Acoustics: Identify standing waves and null points
  • Phase Testing: Check left/right channel alignment

For Students & Teachers

  • Physics Demonstrations: Visualize (and hear) wave interference
  • Music Theory: Teach consonance, dissonance, and the harmonic series
  • Hearing Education: Demonstrate frequency perception

The Harmonic Series

Every musical note contains a fundamental frequency plus overtones:

HarmonicMultipleNote (if A2 = 110 Hz)Frequency
1st (Fundamental)A2110 Hz
2ndA3220 Hz
3rdE4330 Hz
4thA4440 Hz
5thC#5550 Hz
6thE5660 Hz

Try playing these frequencies together—this is how a natural brass instrument creates its timbre!

FAQ

How many tones can I play at once?

Our generator supports up to 8 simultaneous tones. This is limited to prevent browser performance issues and audio clipping.

Why does it sound harsh with many tones?

Adding multiple frequencies increases total volume. Use the Master Volume control to reduce overall level, and consider lowering individual tone volumes.

What's the difference between this and a chord on a piano?

A piano note contains the fundamental plus natural harmonics from the vibrating string. Our generator plays pure sine waves by default (single frequency each). Use sawtooth for a closer approximation to real instrument timbre.

Can I save my tone combinations?

Currently, presets are built-in. Use the "Presets" buttons to quickly load common combinations. You can note down your custom frequencies to recreate them later.

Why do some frequency combinations sound good and others don't?

Consonant (pleasant) combinations have simple frequency ratios (2:1, 3:2, 4:3). Dissonant (tense) combinations have complex ratios. This is the foundation of music theory!

Is this the same as binaural beats?

No. Binaural beats require headphones and play slightly different frequencies in each ear—the "beat" is perceived in your brain. Our multi-tone generator plays all frequencies through both channels (or with pan control), so you hear actual acoustic interference.


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